Articles de blog de Felipe Ponce

Tout le monde (grand public)

Magnolia isn't boring, precisely. It is a bright basic colour which works well alongside a diverse number of other colours.Breaking through the clouds It is inoffensive, a not unpleasant humming background noise, a nondescript base. No surprise it can make me nervous...

You will find many people who truly do not take notice to the environment of theirs. Exactly why would they? Just what does what the house or maybe the office is like need to do with anything? Deciding on curtains, color colours as well as furniture is not everyone's cup of tea, admittedly, although some people would hardly notice whether the whole house were painted blue over night. Me personally, I'm glad to be relaxing in the opposite camp, where a space is able to feel right (or strangely awkward) and details do indeed make all of the difference.

However, interior design functions on levels that are many - the purposeful, the visual as well as the psychological. Our surroundings affect us. What influence does colour, particularly, have on our moods and the wellbeing of ours?

Hospitals, facilities and marketplace corporations make use of design and colour to be able to help with the recovery of the patients of theirs (blue reduces blood pressure), to enhance the learning potential of their students (green calms the mind) and in order to boost the output of the employees of theirs (harsh lighting & bright colors will have them from the canteen). So so why do we not implement this thinking to our homes? Don't we want the home of ours to really make us far more relaxed, or even livelier or possibly even healthier?

Do certain colours suit certain personalities? Can it be real for instance that a single personality type is going to have a yearning for yellowish and another a deep love of lilac? Investigation to date does not indicate this to be the truth. It appears we are much more fickle compared to that. On the entire, most people use a colour we simply despise (orange and purple ranking highly on this score) but otherwise we basically dabble with a favorite colour for some time, secure in the knowledge that we can drop it similar to a hot potato if it gets tragically unfashionable.

Colours (certainly a splash of paint, anyway) may be easy to play with, to dabble with. So why could it be that we're afraid of them? Where is our inner child whenever we want them most? So why do we resolve to live in safe camel and cream houses when in some other places there is such an abundance of colour? Could it be truly to do with sunshine? Honestly? Can only the Caribbean and the subcontinent take advantage of wild vibrant colour? Have we talked ourselves into believing we've to mirror what is going on with the weather condition? Because that has not constantly been the case.

History shows us how the ancestors of ours have been a lot braver with the choice of theirs of colours. In the 1950s, extremely vibrant yellow alongside different black, muted terracotta, sage like green and Page pale primrose yellow-colored looked fabulous. In the 1920s the Art Deco movement found inspiration in primitive art and the resulting choice of colors - orange tinged pinks as well as grey greens - were spell binding. Earlier still, in the twentieth century, interiors were filled with the boldest colours - signal red plus great green - and these became great backdrops to art collections which can continue to be observed in many English heritage houses. But would you dare?

Many wrongly think that period colours were all sludgy and dirty, like someone had taken a coal-covered cloth to the paintwork, but this's far from true. Period colours include peppermint greens, sienna, ochre, ultramarine blues, peach blossom and salmon. Would we be bold enough to fit all of these on the wall space or perhaps would we take refuge behind an experimentally colourful but just as easily removable scatter cushion?img_3_6846.jpg